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"Cat's in the Cradle" is a folk rock song by American singer-songwriter Harry Chapin, from his fourth studio album, Verities & Balderdash (1974). The single topped the US Billboard Hot 100 in December 1974. As Chapin's only number-one song, it became his signature song and a staple for folk rock music.
The song starts out showing a guitar teacher who only has his guitar to "Keep his belly still". For each lesson, he got a "crisp ten dollar bill". The woman in the song says that she wants to play the guitar and hear her children sing with her. As the song goes on, he tried to teach her some chords, but she only wants to listen to him and his ...
Ugly Kid Joe is an American hard rock band from Isla Vista, California, formed in 1989. [3] The band's name spoofs the glam metal band Pretty Boy Floyd's name. [4] [5]To date, Ugly Kid Joe have released five full-length albums, two compilation albums and two EPs.
What is the origin of the phrase "Cats in the Cradle"? Does it refer to the situation where a baby has grown past cradle age, and therefore the cat is free to sit in the cradle? The other lyrics make sense: Silver spoon; Little Boy Blue; Man in the moon--70.57.151.211 03:54, 7 September 2006 (UTC)
At the Cat's Cradle, 1992 is the sixth live album by the American rock band Ween. It was released on November 25, 2008, on Chocodog Records. It was released on November 25, 2008, on Chocodog Records. The 2-disc package includes a CD containing a live performance from December 9, 1992, at the Cat's Cradle in Carrboro, North Carolina.
Jamie Benson (vocals), Lisa Lister (guitar), Sarah Davies (bass), Beverley Fullen (drums) Hijas de Violencia (Mexico) Hinds (Spain) Carlotta Cosials, Ana Perrote, Ade Martin, Amber Grimbergen; The Holy Sisters of the Gaga Dada (United States) Jill Fido, Mary Jean, Kim Sockit, Zero Jessephski Jr. Honeyblood (Scotland) Stina Marie, Claire ...
"Cool for Cats" is a song by English rock band Squeeze, released as the second single from their album of the same name. The song features a rare lead vocal performance from cockney-accented Squeeze lyricist Chris Difford , one of the only two occasions he sang lead on a Squeeze single A-side (the other was 1989's " Love Circles ").
Of all female rock singers, she appears the most emancipated: A small girl leading an all-man group in which she herself plays bass guitar. The image is of a tomboy, lank-haired, tight-bottomed and (twice) tattooed; a rocker, a brooder, a loner, a knife-carrier; a hell-cat, a wild cat, a storm child, refugee from the frightened city of Detroit.