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The lyrics implied frustrations of the people who doubt the band's identities when they themselves have not found it yet. [2] Afterwards, they released the other I Am series EPs ( I Am Who & I Am You ) in 2018, Clé series EPs ( Clé 1: Miroh , Clé 2: Yellow Wood , & Clé: Levanter ) in 2019, their first studio album Go Live and the reissue ...
"Walkin on Water" was written by Stray Kids' in-house production team 3Racha, and co-composed with Restart and Chae Gang-hae. [6] Described as a "challenge", 3Racha revealed on behind-the-scenes video Intro "Hop" that it is the first time that the song contains only one genre in the whole song, which is "old-school hip-hop genre with boom bap beats", departing from mixing diverse sounds of ...
Hanteo reported that Hop has sold 1.42 million copies on its first day of the release, [32] and 1.44 million in the third week of December 2024 (December 9 to 15, 2024). [33] The mixtape debuted at number one on the Circle Album Chart for the week of December 8–14, 2024, selling 1,989,508 copies, which 1,853,071 were CD and 136,437 were Nemo ...
The following is a comprehensive list of South Korean boy band Stray Kids' live performances. The group has performed on four concert tours, one one-off concert, one promotional tour, one showcase tour, seven showcases, seven fanmeetings, as well as numerous music festivals and live performances.
Muddy can still choose and demand the utmost from the cream of Chicago’s bluesman crop. No superstars or electronic gimmickry invade the blues club mood that Muddy conjures with ease on Can't Get No Grinding " [ 6 ] AllMusic reviewer Bruce Eder stated "Muddy's next-to-last Chess album, Can't Get No Grindin' marked a return to working with a ...
"Trouble No More" is an upbeat blues song first recorded by Muddy Waters in 1955. It is a variation on "Someday Baby Blues", recorded by Sleepy John Estes in 1935. [ 1 ] The Allman Brothers Band recorded both studio and live versions of the song in the late 1960s and 1970s.
"Forty Days and Forty Nights" is a midtempo blues song with an irregular number of bars written by Bernard Roth (who also wrote Muddy Waters' "Just to Be with You"). [4] An early review in Billboard magazine described it as "a dramatic piece of material with effective lyrics".
In the late 1940s and early 1950s, Muddy Waters was recording the type of music that helped the blues survive as a commercially viable type of music. "Long Distance Call" was recorded on 23 January 1951, with Little Walter on harmonica and Ernest "Big" Crawford on bass, in a session that also produced "Too Young To Know", "Honey Bee", and ...