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Cinecolor Corp. operated at a net loss from 1950 to 1954, partly because the weak financial position of its division in England made it necessary for the parent company to refinance it and partly because of its own operating losses. [20] [21] The last American feature released in Cinecolor was Allied Artists' Pride of the Blue Grass (1954).
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]
The first Color Classic was photographed with the Two-Color, two strip Cinecolor process. The rest of the 1934 and 1935 cartoons were filmed in Two-Color Technicolor, because the Disney studio had an exclusive agreement with Technicolor that prevented other studios from using the Three-Color process.
Cinecolor (I) 1932 Subtractive (2 color) William T. Crispinel Alan M. Gundelfinger Sweden, Land of the Vikings (1934) Honeymoon Hotel (1934) Technicolor (IV) 1932 Subtractive (3 color) Joseph A. Ball Flowers and Trees (1932) Morgana Color: 1932 Additive (2 color) Bell and Howell Lady Juliet Williams N/A (16mm only) Gasparcolor: 1933 Subtractive ...
Northwest Stampede is a 1948 American contemporary Northwestern film produced and directed by Albert S. Rogell. It stars Joan Leslie and James Craig. The film was shot in Cinecolor in Alberta and features the Calgary Stampede. Joan Leslie had been suspended by Warner Bros. and it was the second of two films she made for Eagle-Lion films. [2]
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