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Metallurgy in China has a long history, with the earliest metal objects in China dating back to around 3,000 BCE. The majority of early metal items found in China come from the North-Western Region (mainly Gansu and Qinghai, 青海). China was the earliest civilization to use the blast furnace and produce cast iron. [1]
Confirming Zhu Yu's writing on Song dynasty ships with bulkhead hull compartments, in 1973 a 78-foot (24 m) long, 29-foot (8.8 m) wide Song trade ship from c. 1277 was dredged from the water near the southern coast of China that contained 12 bulkhead compartment rooms in its hull. [80]
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. [2] With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.
Although earlier temporary pontoon bridges had been made in China, the first secure and permanent ones (and linked with iron chains) in China came first during the Qin dynasty (221 BC–207 BC). The later Song dynasty (960–1279 AD) Chinese statesman Cao Cheng once wrote a description of the early pontoon bridges in China. [386]
The dynasty moved away from the top-down command economy of the Tang dynasty (618–907) and made extensive use of market mechanisms as national income grew to be around three times that of 12th century Europe. [2] The dynasty was beset by invasions and border pressure, lost control of North China in 1127, and fell in 1279.
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OPINION: A lot of country music fans are mad about Beyoncé's new song, claiming it isn't "country." Let's look at all the ways "Texas Hold 'Em" is a country song.
The Yellow Rose of Texas" is a traditional American song dating back to at least the 1850s. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. [ 1 ] Many versions of the song have been recorded, the most popular of which was by Mitch Miller , whose version reached No. 1 in the United States in 1955.