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The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
[10] [11] Italy's classical legacy, however, is an important point of the country's identity, particularly opera; traditional operatic pieces remain a popular part of music and an integral component of national identity. The musical output of Italy remains characterized by "great diversity and creative independence (with) a rich variety of ...
Italian popular music is musical output which is not usually considered academic or classical music but rather has its roots in the popular traditions, and it may be defined in two ways: it can either be defined in terms of the current geographical location of the Italian Republic with the exceptions of the Germanic South Tyrol and the eastern portion of Friuli-Venezia Giulia; alternatively ...
In Italy, the music of Verdi and Puccini continued to dominate for a number of years. Even the realistic plots and more modern compositional techniques of the operas of Italian verismo, such as Mascagni's Cavalleria rusticana, did not greatly affect the extremely melodic nature of Italian music.
Pages in category "Italian songs" The following 175 pages are in this category, out of 175 total. This list may not reflect recent changes. 0–9. 4/3/1943;
Canzone napoletana (Italian: [kanˈtsoːne napoleˈtaːna]; Neapolitan: canzona napulitana [kanˈdzoːnə napuliˈtɑːnə]), sometimes referred to as Neapolitan song, is a generic term for a traditional form of music sung in the Neapolitan language, ordinarily for the male voice singing solo, although well represented by female soloists as well, and expressed in familiar genres such as the ...
The song was one of the most common songs during the Third Italian War of Independence (1866). [28] At the Capture of Rome on 20 September 1870, the last step in Italian unification, choirs sang it together with "La bella Gigogin" and the "Marcia Reale"; [35] [37] and "Il Canto degli Italiani" received bersaglieri fanfare. [38]
The traditional Occitan music in the Occitan Valleys of Italy, along with the language and religion are a fundamental element of aggregation for the local community. They mostly consist of ballads , mainly in the Occitan territories of Piedmont ; performed during almost all occasions of celebration in the valleys and are well known even outside ...