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From then until about 1975, when Dolby Stereo was used for the first time in films, most motion pictures – even some from which stereophonic soundtrack albums were made, such as Zeffirelli's Romeo and Juliet – were still released in monaural sound, [22] stereo being reserved almost exclusively for expensive musicals such as West Side Story ...
Ring-and-spring microphones, such as this Western Electric microphone, were common during the electrical age of sound recording c. 1925–45.. The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in ...
Although some HMV tapes released in the USA cost up to $15, two-track stereophonic tapes were more successful in America during the second half of the 1950s. The history of stereo recording changed after the late 1957 introduction of the Westrex stereo phonograph disc, which used the groove format developed earlier by Blumlein.
In 1931, Blumlein invented what he called "binaural sound", now known as stereophonic sound. [2] In early 1931, he and his wife were at the cinema. The sound reproduction systems of the early talkies only had a single set of speakers – the actor might be on one side of the screen, but the voice could come from the other. Blumlein declared to ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
By the beginning of the 1970s systems were starting to be made of plastic and other materials rather than wood. [ 2 ] With the evolution of technology and the emergence of diverse home audio formats, younger audiences shifted from integrated systems and opted for expansive modular units or "component systems" comprising amplifiers, speakers ...
The machine, although made in 1886, was a duplicate of one made earlier but taken to Europe by Chichester Bell. Tainter was granted U.S. patent 385,886 on July 10, 1888. The playing arm is rigid, except for a pivoted vertical motion of 90 degrees to allow removal of the record or a return to starting position.
The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.