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Plectrum banjo from Gold Tone. The four-string plectrum banjo is a standard banjo without the short drone string. It usually has 22 frets on the neck and a scale length of 26 to 28 inches, and was originally tuned C3 G3 B3 D4. It can also be tuned like the top four strings of a guitar, which is known as "Chicago tuning". [64]
In France and England, the Banjoline was an open-backed instrument, and the mandoline-banjo was a closed back instrument (with a metallic back that made a "tinny" metallic sound. [3] The American instruments he said were open backed, "and they call Mandoline-Banjo or Bandoline what we call Banjoline." [3]
The banjeaurine is tuned a fourth higher than the standard banjo (or like a Standard Banjo w/ a Capo on the 5th Fret), at open C major. Most notably constructed by Stewart, banjeaurines were also offered by other major banjo manufacturers, including Washburn , Fairbanks, Fairbanks & Cole , Cole , Vega , Weyman, Schall , Thompson & Odell ...
This banjo had been changed over its long existence and the only remaining original parts were the rim, the tone ring and the resonator (the wooden back of the instrument). [73] The banjo was originally gold-plated, but the gold had long-since worn off and had been replaced with nickel hardware.
In January 2020, Martin donated a "one-of-a-kind," with gold plated armrest, an image of Mark Twain on the back, and an inlay-image of the Kennedy Center on the fingerboard he received as part of the Mark Twain Prize for American Humor in 2011 to the museum. [33] The museum also acquired a Jazz-Age Gibson Florentine banjo from him. [33]
The Bassjo, also referred to as the banjo bass in a 2006 article featuring Les Claypool on the cover of Bassplayer Magazine [10] was made by luthier Dan Maloney. Maloney was a friend of Claypool's approximately ten years ago when Claypool asked him to construct a guitar with "a banjo body and a bass neck ("Les Does More" 43)."