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All the pieces have a duration of about one or two minutes. Out of all 11 pieces, only three are based on folk tunes: numbers three, six and eight. The rest of the pieces were created in their entirety by Bartók, who used to make a great number of short pieces for piano using folk-like structures and melodies.
Piano Sonata No. 16 in C major, K. 545 (so-called facile or semplice sonata; Vienna, June 26, 1788) Piano Sonata No. 17 in B ♭ major, K. 570 (Vienna, February, 1789) Piano Sonata No. 18 in D major, K. 576 (Vienna, July 1789)
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
Pieces for piano four hands (1931) A Little Walk for piano four hands (1951) A Tale in Four Parts for piano 4-hands (1988) Carl Vine (1954) Sonata for piano four hands (2009) [3] Bruno Vlahek (1986) Sonata, Op. 21 (2008) Variations on a Croatian folk theme, Op. 38 (2013) Peter Warlock; Capriol Suite (1926) Charles Wuorinen (1938–2020) Making ...
Aria (canzonetta) for voice and piano, transcription of an insertion aria sung by Luigi Marchesi with several texts in several operas. The version with the text "Ridente la calma" was inserted in Francesco Bianchi's Il trionfo della pace (1782). [1] The original author of the music may be Josef Mysliveček.
A composer devoted to education, Bartók wrote many easy short pieces during his lifetime. However, in the 1920s he had also earned a high reputation as a concert pianist and performer, which made him tour frequently, especially while he was in Europe. 1925 was a year that was specifically productive in terms of public performance; however, that implied that he wouldn't be active again until ...