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Mezzo-soprano range: The mezzo-soprano is the middle-range voice type for females. [6] The mezzo-soprano voice lies between the soprano voice and contralto voice, over-lapping both of them. The typical range of this voice is between A3 (the A below middle C) to A5 (two octaves higher).
The cycle Shravana for mezzo-soprano, cello and piano is music in five movements for different combinations of the three performers, all with Buddhist overtones. Gate Paragate; Om Tare; Vajrakilaya; Vokalise; Vaidurya; It was first performed at the Gasteig on 12 March 2022 by Anna-Doris Capitelli, the composer and Miku Nishimoto-Neubert. [5] [10]
El mar la mar for two sopranos and five instruments (1950); reduction for two sopranos and piano (1953); arrangement for soprano, mezzo-soprano and seven instruments (1969). Opus no. Zoo for reciter and wind quintet (1951; revised 1971) Due liriche di Garcia Lorca for bass and orchestra (1951) Deus meus for voice and three instruments (1951)
The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779). Cesare Olivieri, Il trionfo della pace [1] between 1772 and 1775 178: 417e "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano ...
D 923, Song "Eine altschottische Ballade" ['Dein Schwert, wie ist's von Blut so rot'] for voice and piano, Edward (1827; 2nd version in addition to 3rd version for male voice, female voice and piano) Op. 106 No. 2 – D 926 , Song "Das Weinen" ['Gar tröstlich kommt geronnen'] for voice and piano (1827–1828)
Eleven Songs for Susan (2007), for mezzo-soprano & chamber orchestra; Three Poems of Edna St. Vincent Millay (2007), for voice & piano; Songs Old and New (2008), for soprano & orchestra; Four Sonnets of Shakespeare (2008), for tenor & piano; Sonnet 144 (Two Loves I Have) (2010), for soprano, mezzo-soprano, & piano
The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).. It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert's catalogue.
The song cycle is scored for a mezzo-soprano and a large orchestra, comprising triple woodwinds, three trumpets, four horns, three trombones, a tuba, strings and a large percussion section, as well as a mandolin, a harp, a piano and chimes playing offstage.