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[20] [21] In 1953, ASCAP filed an antitrust lawsuit against BMI, and instigated a congressional investigation of BMI in 1956. ASCAP lobbied Congress for laws that would bar broadcasters from owning BMI stock in 1958, and provided the impetus to launch payola investigations at the end of the decade. ASCAP and BMI settled an antitrust lawsuit in ...
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[6] [7] However, stations that play recorded music are required to pay licensing fees or royalties through ASCAP, BMI, or SESAC, depending upon which organization licensed the recording. SoundExchange also works with music industry partners in the United States and around the world to collect performance royalties generated through airplay on ...
ASCAP's and SESAC's policy of charging non-commercial educational (NCE) radio stations for playing copyrighted music has also been criticised, especially by college radio stations across the U.S., which rely entirely on student and listener support for funding and have difficulty affording the extra fees. Community Orchestras, which mostly play ...
The American Society of Composers, Authors and Publishers (ASCAP) announced record financial results for 2023, with $1.737 billion in revenue and $1.592 billion available for royalty distributions ...
Radio stations pay fees to licensing bodies for nonexclusive rights to broadcast music. Radio stations and businesses typically pay a flat rate once a year, called a blanket license, which can vary based on the size of the audience, value of the advertising revenues, and amount and nature of music usage. As part of the license contract a radio ...
Wagener said ASCAP licenses are "tailored to different establishments." Typically, he said, establishments pay an average of $2 a day, or about $730 a year, giving a business the right to play ...