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The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her ... (1877), after Bernadette Soubirous' description. ...
The first move towards describing Mary's conception as "immaculate" came in the 11th century. In the 15th century, Pope Sixtus IV, while promoting the festival, explicitly tolerated both the views of those who promoted it as the Immaculate Conception and those who challenged such a description, a position later endorsed by the Council of Trent. [5]
The theme of the altarpiece is the Immaculate Conception. [1]Official Catholic dogma states that Mary, receiving in anticipation the fruits of the resurrection of her son Jesus, was conceived free of original sin: she was not corrupted by the initial fault that has since given every human being a tendency to commit evil.
An image of the Immaculate Conception venerated in the Shrine of Our Lady of Conception of Villa Vicosa was donated by Nuno Álvares Pereira. On 25 March 1646, King John IV of Portugal proclaimed Our Lady of the Immaculate Conception the nation's patroness, so that 8 December is a special feast day in Portugal.
The Immaculate Conception is a painting by Italian painter Giovanni Battista Tiepolo (1696–1770). The painting was one of seven altarpieces commissioned in March 1767 from Tiepolo by King Charles III of Spain for the Church of Saint Pascual in Aranjuez, then under construction.
The Immaculate Conception is a painting by Francisco de Zurbarán, executed in 1632, conserved at the National Art Museum of Catalonia. [1] Description
The Order of the Immaculate Conception was founded by the Portuguese Saint Beatrice of Silva. In 1489, by permission of Pope Innocent VIII, the nuns adopted the Cistercian rule, [3] bound themselves to the daily recitation of the Divine Office, and they were placed under obedience to the ordinary of the diocese. [2]
The exterior is dominated by a 70 metres (230 ft) spire, and two lesser spires (not completed until 1908). Above the entrance is a mosaic depicting Pope Pius IX, who defined the dogma of the Immaculate Conception in 1854. The clock plays the Ave Maria hourly, and chimes the hours with a 2-tonne bell called Jeanne-Alphonsine.