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Inflection of the Scottish Gaelic lexeme for 'dog', which is cù for singular, chù for dual with the number dà ('two'), and coin for plural. In linguistic morphology, inflection (less commonly, inflexion) is a process of word formation [1] in which a word is modified to express different grammatical categories such as tense, case, voice, aspect, person, number, gender, mood, animacy, and ...
The high rising terminal (HRT), also known as rising inflection, upspeak, uptalk, or high rising intonation (HRI), is a feature of some variants of English where declarative sentences can end with a rising pitch similar to that typically found in yes–no questions.
Inflection: Voice inflection is used in a conventional manner that aids in conveying the meaning of the source text, and not omitted entirely or over-emphasised Medium Fidelity: Minor deviations from the source text and/or a moderate number of misreads that do not significantly compromise the meaning of the source text; no significant adlibs
In English, though the inflection for middle voice and active voice are the same for these cases, they differ in whether or not they permit the expression of the Agent argument in an oblique by-phrase PP: thus while the by-phrase is possible with passive voice as in sentence (6), it is not possible with middle voice, as shown by the ill-formed ...
In the same way that speech incorporates nonverbal components, collectively referred to as paralanguage and encompassing voice quality, rate, pitch, loudness, and speaking style, nonverbal communication also encompasses facets of one's voice. Elements such as tone, inflection, emphasis, and other vocal characteristics contribute significantly ...
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
The exchange above is an example of using intonation to highlight particular words and to employ rising and falling of pitch to change meaning. If read out loud, the pitch of the voice moves in different directions on the word "cat." In the first line, pitch goes up, indicating a question.
Old Norse has three categories of verbs (strong, weak, & present-preterite) and two categories of nouns (strong, weak). Conjugation and declension are carried out by a mix of inflection and two nonconcatenative morphological processes: umlaut, a backness-based alteration to the root vowel; and ablaut, a replacement of the root vowel, in verbs.