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The Japanese sword has existed since the Nara period (710–794), where techniques to draw the sword have been practiced under other names than 'iaijutsu'. [3] The term 'iaijutsu' was first verified in connection with Iizasa Chōisai Ienao (c. 1387 – c. 1488), founder of the school Tenshin Shōden Katori Shintō-ryū .
During the Warring States period, the Baiyue people were known for their swordsmanship and for producing fine swords. According to the Spring and Autumn Annals of Wu and Yue, King Goujian met a female sword fighter called Nanlin (Yuenü) who demonstrated mastery over the art. So he commanded his top five commanders to study her technique.
The martial art of wielding the naginata is known as naginatajutsu. Most naginata practice today is in a modernised form, a gendai budō called atarashii Naginata ("new Naginata" [ 3 ] ), which is organized into regional, national, and international federations, who hold competitions and award ranks.
When fighting in close order, two-handed cut-and-thrust weapons, such as halberds and glaives, are much more efficient than mere spears or swords because of their versatility compared to spears and longer reach compared to swords. Fighting in massed formation does not require similar individual weapon-handling skills as required by a skilled ...
Onna-musha (女武者) is a term referring to female warriors in pre-modern Japan, [1] [2] who were members of the bushi class. They were trained in the use of weapons to protect their household, family, and honour in times of war; [ 3 ] [ 4 ] many of them fought in battle alongside samurai men.
She was an expert in weaponry like Kris, spears and swords, and was also renowned for her mastery of silat, the Malay martial art. [ 15 ] Tun Fatimah , (ca. 1488–1500s AD) a well-known queen of Johor - Riau Kingdom [ 16 ] and daughter of Tun Mutahir , the Malaccan bendahara (prime minister) who lived in during the 16th century.
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
Battōjutsu (抜刀術, battō-jutsu, 'craft of drawing out the sword') is an old term for iaijutsu (居合術). Battōjutsu is often used interchangeably with the terms iaijutsu and battō (抜刀). [1] Generally, battōjutsu is practiced as a part of a classical ryū and is closely integrated with the tradition of kenjutsu.