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In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. [1]
Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic intensity, but the terms are often used loosely and interchangeably in contexts where these aspects are ...
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as color science.
A Color Notation where he discussed his color theory referencing three color dimensions: hue (the discernible shade on the wavelength spectrum), value (lightness to darkness scale), and chroma (softness through to brightness). Before the Munsell Color Theory, the intensity of color was defined as 'saturation' in the art and scientific community.
The so-called golden age of hand-coloured photography in the western hemisphere occurred between 1900 and 1940. [11] The increased demand for hand-coloured landscape photography at the beginning of the 20th century is attributed to the work of Wallace Nutting. Nutting, a New England minister, pursued hand-coloured landscape photography as a ...
Color photography (also spelled as colour photography in Commonwealth English) is photography that uses media capable of capturing and reproducing colors. By contrast, black-and-white or gray- monochrome photography records only a single channel of luminance (brightness) and uses media capable only of showing shades of gray .
Chromaticity is an objective specification of the quality of a color regardless of its luminance. Chromaticity consists of two independent parameters, often specified as hue (h) and colorfulness (s), where the latter is alternatively called saturation, chroma, intensity, [1] or excitation purity.
Saturation corresponds directly to the concept of tint in the Color Basics section, except that full saturation produces no tint, while zero saturation produces white, a shade of gray, or black. Value corresponds directly to the concept of intensity in the Color Basics section.