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The poem is an important and rich source of historical information about the ancient Chola kingdom and its capital city. The Pattinappalai mentions the city's music and dance traditions, cock and ram fights, the thriving alcohol and fisheries business, the overseas and domestic trade among the Indian peninsular port cities.
These poems deal with the various aspects of the courtship between the hero and the heroine. The poems are set in various landscapes (Tinai - திணை). [2] Each poem is subdivided and formatted into pattu or tens, a style found in much of Tamil literature such as Tirukkural, Bhakti movement poetry and elsewhere.
The work is highly cherished in the Tamil culture, as reflected by its twelve traditional titles: Tirukkuṟaḷ (the sacred kural), Uttaravedam (the ultimate Veda), Tiruvalluvar (eponymous with the author), Poyyamoli (the falseless word), Vayurai valttu (truthful praise), Teyvanul (the divine book), Potumarai (the common Veda), Valluva Maalai ...
Iraiyanar Akapporul is concerned with setting out the literary conventions that govern Tamil love poetry of the akam tradition. The conventions, as such, are taken from the poetics of the Sangam period. Thus a poem is a poetical snapshot of one instant in a relationship. This snapshot provides a glimpse into the lives of the couple which is in ...
The poem was dedicated to king Prahattan from north India, and to teach him principles of Tamil poetry. [10] It has significant details about clothing, jewelry, mountain farmers guarding their crops from elephants and other wildlife, weapons chieftains carried, musical instruments, warrior god Murugan, priests making their evening devotions ...
Thus, no translation can perfectly reflect the true nature of any given couplet of the Kural unless read and understood in its original Tamil form. [18] Added to this inherent difficulty is the attempt by some scholars to either read their own ideas into the Kural couplets or deliberately misinterpret the message to make it conform to their ...
Nedunalvadai contains 188 lines of poetry in the akaval metre. [4] It is a poem of complex and subtle artistic composition, its vividness and language has won it many superlatives, including one by the Tamil literature scholar Kamil Zvelebil, as "the best or one of the best of the lays of the [Sangam] bardic corpus". [4]
The title of the poem Malaipatukatam, also spelled Malaipadukadam, [4] is found in lines 347–348 of the poem in the context of "roaring elephants in rut". [4] The title has been interpreted in two ways. Some scholars translate it as "the secretion oozing from the mountains", while others as "the sound of katam which arises in the mountains ...