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"How It Feels to Be Colored Me" (1928) is an essay by Zora Neale Hurston published in The World Tomorrow, described as a "white journal sympathetic to Harlem Renaissance writers". [ 1 ] [ 2 ] Coming from an all-black community in Eatonville , Florida , she lived comfortably due to her father holding high titles, John Hurston was a local Baptist ...
Glenn Ligon (born 1960, pronounced Lie-gōne) is an American conceptual artist whose work explores race, language, desire, sexuality, and identity. [1] Based in New York City, Ligon's work often draws on 20th century literature and speech of 20th century cultural figures such as James Baldwin, Zora Neale Hurston, Gertrude Stein, Jean Genet, and Richard Pryor.
As an adult, Hurston often used Eatonville as a setting in her stories—it was a place where African Americans could live as they desired, independent of white society. Hurston grew up in Eatonville and described the experience in her 1928 essay, "How It Feels To Be Colored Me". Eatonville now holds an annual "Zora! Festival" in her honor. [11]
Faedra Chatard Carpenter offers an insightful analysis of "Color Struck" in the article, "Addressing the ‘Complex’-ities of Skin Color: Intra-Racism in the Plays of Hurston, Kennedy, and Orlandersmith. She writes: The topical significance of Color Struck is in how it challenges assumptions associated with color-consciousness.
Even though she's not been alive for 23 years, I still feel her with me because of the way she so strategically left parts of her with me. I've chosen to live in London, where I can walk along ...
You can add yours by emailing a picture of your colored page to ssteele@kcstar.com, or direct message it to @thekansascitystar on Instagram. Emily Burgard wrote The Star, “My son Cole, age 6 ...