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People's Republic of China: Baak Doi leaves China in 1952 and relocates to Hong Kong. Mao Zedong and CCP evolved patriotic music into revolutionary music. Hong Kong: Continuation of Shidaiqu in Hong Kong. Republic of China / Taiwan: Development of Taiwanese mandopop. Native Hokkien pop phased out by Kuomintang in favor of mandopop.
The modern Chinese orchestra however was created in the 20th century modeled on Western symphony orchestra using Chinese instruments. In the traditional yanyue , a single dominant melodic line was favored, but the new music and arrangements of traditional melodies created for this modern orchestra is more polyphonic in nature.
Timeline of Chinese history. This is a timeline of Chinese history, comprising important legal and territorial changes and political events in China and its dynasties. To read about the background to these events, see History of China. See also the list of Chinese monarchs, Chinese emperors family tree, dynasties of China and years in China.
In the early 20th century, the term guoyue was widely used to distinguish between imported Western music and traditional Chinese music. It therefore included all Han Chinese music but excluded anything written for Western instruments. [3] In its broadest sense it includes all Chinese instrumental music, opera, regional folk genres, and solo pieces.
In the early 20th century, Chinese and Western music cultures slowly merged, driven by the external forces of art, to create a new style of Chinese music that was based on both cultures. Then, it was not until March 2, 1930, when the " League of Left-Wing Writers " was founded and its corresponding music criticism and music social activities ...
The modern large Chinese orchestra is a 20th-century development and is based on the Western symphony orchestra, but uses Chinese instruments in place of Western instruments. It also emulates the Western orchestra in terms of the seating position of its musicians and composition techniques.
Art, culture and science all advanced to unprecedented heights. With the profound and lasting impacts of this period of Chinese history, the dynasty name "Han" had been taken as the name of the Chinese people, now the dominant ethnic group in modern China, and had been commonly used to refer to Chinese language and written characters.
By the early 20th century, non-singing theatrical forms began to appear under the influence of Western dramas and stage plays. [54] Shanghai, where Western drama was first staged by Western expatriate communities in China in 1850, was the birthplace of modern Chinese stage plays.