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Time's Paces is a poem about the apparent speeding up of time as one gets older. It was written by Henry Twells (1823–1900) and published in his book Hymns and Other Stray Verses (1901). The poem was popularised by Guy Pentreath (1902–1985) in an amended version.
This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell; List of William McGonagall poems; List of poems by ...
Against a tide of weariness, I have two pieces of advice on this Earth Day, embedded in National Poetry Month: start a garden, and read or write a poem, writes Tess Taylor.
Johnson recognizes 1775 poems, and Franklin 1789; however each, in a handful of cases, categorizes as multiple poems lines which the other categorizes as a single poem. This mutual splitting results in a table of 1799 rows. Columns. First Line: Most of the first lines link to the poem's text (usually its first publication) at Wikisource.
These 36 poems were written in a hybrid form based on the Petrarchan sonnet that invariably ends with a rhyming couplet reminiscent of the Shakespearean sonnet. [108] Most of these poems are discontinuous, though unified by theme, being vignettes descriptive of the kinds of dreamed and otherworldly scenarios found in Lovecraft's fiction. [109]
When a poem is flooded with too much emotion, it becomes sentimental, even cheesy; but when a poem risks nothing, it leaves a reader cold. The best love poems enact the hyperaware state of being ...
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]