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Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
These inspirational nature quotes from writers, artists, and conservationists will breathe sunshine and fresh air into your day. 60 nature quotes that capture the beauty of our earth Skip to main ...
In his Florentine tax return of August 1469, Uccello declared, "I find myself old and ailing, my wife is ill, and I can no longer work." In the last years of his life, Paolo was a lonesome and forgotten man who was afraid of hardship in life. His last known work is The Hunt, c. 1470. He made his testament on 11 November 1475 and died shortly ...
Anne-Louis Girodet de Roussy-Trioson, Ossian receiving the Ghosts of the French Heroes (1800–02), Musée national de Malmaison et Bois-Préau, Château de Malmaison. In the visual arts, Romanticism first showed itself in landscape painting, where from as early as the 1760s British artists began to turn to wilder landscapes and storms, and Gothic architecture, even if they had to make do with ...
1. “You are what you do, not what you say you’ll do.” 2. “Who looks outside, dreams; who looks inside, awakes.” 3. “To ask the right question is already half the solution of a problem.”
[114] The art critic Arthur Danto said Picasso's work constitutes a "vast pictorial autobiography" that provides some basis for the popular conception that "Picasso invented a new style each time he fell in love with a new woman". [114] The autobiographical nature of Picasso's art is reinforced by his habit of dating his works, often to the day.
Here, you'll find a collection of uplifting quotes, happy quotes, and sentimental quotes that will remind you of the most wonderful parts of our planet. There's even a quote from one of Ree's ...
This may have more to do with the degrading ways that the paintings were discussed. Stieglitz marketed her flower paintings in sexual terms, including quotes from men who were influenced by Stieglitz's viewpoints. [15] She asked her friend, Mabel Dodge Luhan, to write of her work from a feminine perspective to counter interpretations by men. [15]