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The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...
In its typical specialized usage, the word chanson refers to a polyphonic French song of the late Middle Ages and Renaissance. [4] Early chansons tended to be in one of the formes fixes — ballade , rondeau or virelai (formerly the chanson baladée )—though some composers later set popular poetry in a variety of forms.
urban street sport involving climbing and leaping, using buildings, walls, curbs to ricochet off much as if one were on a skateboard, often in follow-the-leader style. Originally a phonetic form of the French word parcours, which means "a run, a route" Also known as, or the predecessor to, "free running", developed by Sébastien Foucan. parole
a genre of music place where vehicles are repaired; building attached to or in the grounds of a residence for storing a car (parking garage) building serving as a public parking facility (UK: multistorey car park or just multistorey) garbage (n.) piece of nonsensical prose, sequence of meaningless words household waste (UK "rubbish") garden (n.)
Many place-name adjectives and many demonyms are also used for various other things, sometimes with and sometimes without one or more additional words. (Sometimes, the use of one or more additional words is optional.) Notable examples are cuisines, cheeses, cat breeds, dog breeds, and horse breeds. (See List of words derived from toponyms.)
The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France.
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