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José Guadalupe Posada Aguilar (2 February 1852 – 20 January 1913) was a Mexican political printmaker who used relief printing to produce popular illustrations. His work has influenced numerous Latin American artists and cartoonists because of its satirical acuteness and social engagement.
The mural depicts famous people and events in the history of Mexico, passing through the Alameda Central park in Mexico City. Some notable figures include Frida Kahlo, José Guadalupe Posada, Francisco I. Madero, Benito Juárez, Sor Juana Inés de la Cruz, Porfirio Díaz, Agustín de Iturbide, Ignacio Manuel Altamirano, Maximilian I of Mexico, Juan de Zumárraga, Antonio López de Santa Anna ...
During the late Porfiriato, political cartooning and print making developed as popular forms of art. The most well known print maker of that period is José Guadalupe Posada, whose satirical prints, particularly featuring skeletons, circulated widely. [178] Posada died in early 1913, so his caricatures are only of the early revolution.
Rob Neufeld wrote the local history feature, "Visiting Our Past," for the Citizen Times until his death in 2019. This column originally was published Nov. 8, 2007.
There is a flourishing street art movement influenced by Latin American artists José Guadalupe Posada and the muralist Diego Rivera. After the Cuban Revolution of 1959, some artists felt it was in their best interests to leave Cuba and produce their art, while others stayed behind, either happy or merely content to be creating art in Cuba ...
Consequently, Posada, Rivera, and Kahlo were woven into foundational urban commemorations in Mexico City. Even without the Mesoamerican attributes Rivera provided to Catrina, she still functions as a national emblem associated specifically with Mexico. [1] Large image of Catrina on the road from the airport to Aguascalientes, Posada's home town.
One key element of the re-developed festivity which appears during this time is La Calavera Catrina by Mexican lithographer José Guadalupe Posada. According to Gonzalez, while Posada is portrayed in current times as the "restorer" of Mexico's pre-Hispanic tradition, he was never interested in Native American culture or history.
The first book published by the organization was La pintura mural de la Revolución Mexicana, followed by Los maestros europeo de la Galería de San Carlos de México and José Guadalupe Posada, ilustrador de la vida mexicana. [3] It became a major art book publishing company producing several high-quality books about Mexican art while he ...