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José Guadalupe Posada Aguilar (2 February 1852 – 20 January 1913) was a Mexican political printmaker who used relief printing to produce popular illustrations. His work has influenced numerous Latin American artists and cartoonists because of its satirical acuteness and social engagement.
During the late Porfiriato, political cartooning and print making developed as popular forms of art. The most well known print maker of that period is José Guadalupe Posada, whose satirical prints, particularly featuring skeletons, circulated widely. [178] Posada died in early 1913, so his caricatures are only of the early revolution.
Consequently, Posada, Rivera, and Kahlo were woven into foundational urban commemorations in Mexico City. Even without the Mesoamerican attributes Rivera provided to Catrina, she still functions as a national emblem associated specifically with Mexico. [1] Large image of Catrina on the road from the airport to Aguascalientes, Posada's home town.
Rob Neufeld wrote the local history feature, "Visiting Our Past," for the Citizen Times until his death in 2019. This column originally was published Nov. 8, 2007.
The mural depicts famous people and events in the history of Mexico, passing through the Alameda Central park in Mexico City. Some notable figures include Frida Kahlo, José Guadalupe Posada, Francisco I. Madero, Benito Juárez, Sor Juana Inés de la Cruz, Porfirio Díaz, Agustín de Iturbide, Ignacio Manuel Altamirano, Maximilian I of Mexico, Juan de Zumárraga, Antonio López de Santa Anna ...
There is a flourishing street art movement influenced by Latin American artists José Guadalupe Posada and the muralist Diego Rivera. After the Cuban Revolution of 1959, some artists felt it was in their best interests to leave Cuba and produce their art, while others stayed behind, either happy or merely content to be creating art in Cuba ...
José Guadalupe Posada (Mexico) La Calavera Catrina. Art in Latin America has often been used as a means of social and political critique. Mexican graphic artist José Guadalupe Posada drew harsh images of Mexican elites as skeletons, calaveras. This was done prior to the Mexican Revolution, strongly influencing later artists, such as Diego Rivera.
The museum opened in 1972 and is run jointly by the state and federal governments. It is housed in what was the priest's cloisters and residence, in front of the gardens and a colonial fountain, and immediately next to the beautiful 18th century baroque Church of "El Señor del Encino" (Our Lord of the Oak, for a Black Crist made of live oak, worshiped in the church), in the Triana historic ...