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The following other wikis use this file: Usage on hy.wikipedia.org Զգացմունք (Ռեմբրանդ) Usage on nl.wikipedia.org Herman van Aldewereld
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The Senses is a series of five oil paintings, completed c. 1624 or 1625 by Rembrandt, depicting the five senses. [1] The whereabouts of one, representing the sense of taste, is unknown. Another, representing smell, was only re-identified in 2015.
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
[1] [2] The allegorical representation of the five senses as female figures had begun in the previous century, the earliest known examples being the Lady and the Unicorn series of tapestries, which date to around 1500, [3] but Brueghel was the first to illustrate the theme using assemblages of works of art, musical instruments, scientific ...
The Five Senses is a series of five paintings depicting allegories of sight, smell, taste, hearing, and touch, painted by Flemish artist Michaelina Wautier in 1650. Each sense is personified by a young boy. [1] The paintings have been loaned to the Museum of Fine Arts, Boston, by their owners, Rose-Marie and Eijk van Otterloo. [2]
Sensory history is often written because of a significant lack of any examination of the sensory in a particular historical area previously. [12] This means that sensory historians can simply re-examine primary and secondary sources, with a lens for the sensory, in order to support their work. [1]