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Open Up and Say... Ahh! is the second studio album by American glam metal band Poison, released on April 27, 1988, through Enigma Records and Capitol Records.It proved to be the band's most successful release, and spawned four hit singles: "Nothin' But a Good Time", "Fallen Angel", "Your Mama Don't Dance" (a Loggins and Messina cover) and their only number one single to date, "Every Rose Has ...
A template alone does not make cover art fair to use. It merely helps you state why you think it is appropriate. This template is optimized for album cover art used in the article about the album. It may or may not work in other contexts. For example, this non-free use rationale may not be appropriate for images of videos.
The graphic design and music communities were deeply saddened by the news of Steinweiss's passing, as he was widely recognized as a pioneering legend in the field of album cover design. Despite passing, Steinweiss's legacy lives on, and his designs remain a source of inspiration for designers and art enthusiasts all over the world.
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Cover Magazine (album) Cover Me (Nena album) Cover to Cover (Morse, Portnoy and George album) Cover Up (Ministry album) Cover Ups; Cover Your Heart and the Anvil Pants Odyssey; Coverage (album) Covered, A Revolution in Sound; Covers (Fayray album) Covers (James Taylor album) Covers (Placebo album) Covers (Regine Velasquez album) Covers (Show of ...
In 1993, Sagmeister founded his company, Sagmeister Inc., to create designs for the music industry. [1] He has designed album covers for Lou Reed, OK Go, The Rolling Stones, David Byrne, Jay Z, Aerosmith, Talking Heads, Brian Eno and Pat Metheny. [2] [3] From 2011 until 2019 he partnered with Jessica Walsh under the name Sagmeister & Walsh Inc ...
Designer Brent David Freaney is sharing the inspiration behind Charli XCX's viral cover art for her celebrated breakthrough album, Brat – and the months-long process it took to perfect it. "We ...
This led to the design of his first album cover, Gun (1968) by rock band The Gun, after owner Ronnie Scott and business partner Jimmy Parsons asked him to use a demonic-themed design that Dean originally made in his sketchbook for his thesis, for the album's cover.