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The Stories of Eva Luna (Spanish: Cuentos de Eva Luna) is a collection of Spanish-language short stories by the Chilean-American writer Isabel Allende.It consists of stories told by the title character of Allende's earlier novel Eva Luna.
Di Benedetto began writing and publishing stories in his adolescence, inspired by the works of Fyodor Dostoevsky and Luigi Pirandello. Mundo Animal, appearing in 1953, was his first story collection and won prestigious awards. A revised version came out in 1971, but the Xenos Books translation uses the first edition to catch the youthful flavor.
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Pierrick Brient, « L’amant muré, à propos de la Grande Bretèche de Balzac », Savoirs et Clinique n° 9, Ramonville Ste Agne, Eres, 2008 ISBN 978-2-7492-0922-7. Nicole Célestin, « La Grande Bretèche : Tradition orale, souvenirs livresques, cadre tourangeau », L'Année balzacienne, Paris, Garnier, 1964, p. 197-203.
Martí de Riquer i Morera, 8th Count of Casa Dávalos (Catalan pronunciation: [məɾˈti ðə riˈkej muˈɾeɾə], Spanish: Martín de Riquer y Morera) (3 May 1914 [1] – 17 September 2013) [2] was a Spanish literary historian and Romance philologist, a recognised international authority in the field. His writing career lasted from 1934 to 2004.
The Canterbury Tales (Italian: I racconti di Canterbury) is a 1972 Italian medieval erotic black comedy film directed by Pier Paolo Pasolini based on the medieval narrative poem by Geoffrey Chaucer. The second film in Pasolini's "Trilogy of Life", preceded by The Decameron and followed by Arabian Nights , it won the Golden Bear at the 22nd ...
Don Joan de Serrallonga, 1907; La Santa Espina, patriotic song and sardana, 1907; Cançons populars catalanes harmonitzades, 1910; Titaina, opera, 1912; Tassarba, opera, 1916; Concert per a violoncel i orquestra (cello concerto), 1917; El poema de la nit i el dia i de la terra i de l'amor, symphonic poem, 1920; Cançons de career, 1926
Melodies of America (Spanish:Melodías de América) is a 1941 Argentine musical comedy film of the Golden Age of Argentine cinema, directed by Eduardo Morera and starring José Mojica, Silvana Roth and June Marlowe. [1] It was intended as an Argentine response to the Latin-American themed films produced by Hollywood as part of the Good Neighbor ...