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Sonograms of female copulatory vocalizations of a human female (top), female baboon (middle), and female gibbon (bottom), [19] with time being plotted on the x-axis and the pitch being represented on the y-axis. In non-human primates, copulatory vocalizations begin towards the end of the copulatory act or even after copulation. [2]
For example, many frogs may use trilling notes in mate attraction, but switch to different vocal patterns in aggressive territorial displays. [19] In some species, a single song incorporates several note types which serve different purposes, with one type of note eliciting responses from females, and another note of the same song responsible ...
Certain words in the English language represent animal sounds: the noises and vocalizations of particular animals, especially noises used by animals for communication. The words can be used as verbs or interjections in addition to nouns , and many of them are also specifically onomatopoeic .
The avian vocal organ is called the syrinx; [12] it is a bony structure at the bottom of the trachea (unlike the larynx at the top of the mammalian trachea). The syrinx and sometimes a surrounding air sac resonate to sound waves that are made by membranes past which the bird forces air.
For each action potential fired in their vocal pattern generator, there is exactly one sonic motor neuron that fires, and there is exactly one sound pulse. [12] The two motor nuclei fire in phase in toadfish, leading to the paired contraction of the sonic muscles. [13] The duration of calls is controlled by the pre-pacemaker neurons in the ...
More important than range in voice classification is tessitura, or where the voice is most comfortable singing, and vocal timbre, or the characteristic sound of the singing voice. [1] For example, a female singer may have a vocal range that encompasses the low notes of a mezzo-soprano and the high notes of a soprano.
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Within other forms of singing, chest voice is often applied throughout the modal register. Chest timbre can add a wonderful array of sounds to a singer's vocal interpretive palette. [35] However, the use of an overly strong chest voice in the higher registers in an attempt to hit higher notes in the chest can lead to forcing.