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Other sculptural representations of the Nativity include ivory miniatures, carved stone sarcophagi, architectural features such as capitals and door lintels, and free standing sculptures. Free-standing sculptures may be grouped into a Nativity scene (crib, creche or presepe) within or outside a church, home, public place or natural setting. The ...
This category is for the Nativity of Jesus in art. See also other sub-categories of the parent, like Category:Adoration of the Magi in art and Category:Adoration of the Shepherds in art. Here, "art" means the visual arts, not music or drama.
It depicts the nativity of Jesus, with saints Francis of Assisi and Lawrence, among other figures, surrounding Mary and the newborn Jesus. [3] [2] The painting is about 2.7 metres high and two metres wide. [4] On the night of 17–18 October 1969, [5] two thieves stole the painting from its home in the Oratory of Saint Lawrence in Palermo. [4]
The canvas is divided into two parts. At the top, two angels on a platform of clouds and cherub heads observe the scene. Below, Mary and Joseph, accompanied by the ox and the donkey, barely visible, are in adoration before the Child Jesus, swaddled as he is described in the Gospel of Luke. In the background, a resplendent angel flies over the ...
The difficulties this could cause are shown in the 12 small narrative scenes from the Gospel of Luke in the 6th-century St. Augustine Gospels; about a century after the book was created captions were added to these images by a monk, which may already misidentify one scene. [5]
The Neapolitan nativity scene of the Royal Palace of Caserta. [1] The Neapolitan nativity scene is a representation of the birth of Jesus traditionally set in Naples in the eighteenth century. [1] The Neapolitan crib art has remained unchanged for centuries, becoming part of the most consolidated and followed Christmas traditions of the city.
William Blake drew and painted illustrations for John Milton's nativity ode On the Morning of Christ's Nativity between 1803 and 1815. A total of 16 illustrations are extant: two sets of six watercolours each, and an additional four drawings in pencil. The dating of the sets is unknown, as is Blake's intended sequence for the illustrations.
The Transfiguration of Jesus has been an important subject in Christian art, above all in the Eastern church, some of whose most striking icons show the scene. The Feast of the Transfiguration has been celebrated in the Eastern church since at least the 6th century and it is one of the Twelve Great Feasts of Eastern Orthodoxy , and so is widely ...