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The Conversion on the Way to Damascus (Conversione di San Paolo) is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.
Caravaggio biographer Helen Langdon describes the style of Conversion as "an odd blend of Raphael and clumsy rustic realism," but notes how the composition, with its jagged shapes and irrational light which picks out details for their dramatic impact, creates "a sense of crisis and dislocation [in which] Christ disrupts the mundane world."
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Christ in Majesty shown within a mandorla shape in a medieval illuminated manuscript. 13/14th c. seal of Stone Priory in Staffordshire, England, in the shape of a mandorla. A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with vesica, a lens shape.
Supper at Emmaus (Milan), 1606. Brera, Milan.. Caravaggio painted another version of the Supper at Emmaus (now in the Brera, Milan) in 1606.By comparison, the gestures of figures are far more restrained, making presence more important than performance.
Bab Kisan. Bab Kisan (Arabic: بَابُ كِيسَانَ, romanized: Bāb Kīsān, meaning "Kisan Gate") is one of the seven ancient city-gates of Damascus, Syria.The gate, which is now located in the southeastern part of the Old City, was named in memory of a slave who became famous during a conquest by the Caliph Mu'awiya.
Image credits: Chesnot #7 Pablo Picasso (October 25, 1881 — April 8, 1973) Pablo Picasso was a Spanish artist known as one of the most influential figures of the 20th century.
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.