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The Cost of Discipleship (German: Nachfolge [ˈnaːxˌfɔlɡə], lit. ' succession ' or ' following ') is a 1937 book by German theologian Dietrich Bonhoeffer, considered to be a classic of Christian thought. It is centered on an exposition of the Sermon on the Mount, in which Bonhoeffer spells out what he believes it means to follow Christ.
The Twelve Apostles are a common subject in Christian art and serve as a devotional tool for many Christian denominations. [1] They were instrumental in teaching the gospel of Jesus, "continuing the mission of Jesus" with their depictions continuing to serve as spiritual inspiration and authority.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Jesus and the two disciples On the Road to Emmaus, by Duccio, 1308–1311, Museo dell'Opera del Duomo, Siena. According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb.
Radical discipleship is a movement in practical theology that has emerged from a yearning to follow the true message of Jesus and a discontentment with mainstream Christianity. [21] Radical Christians, such as Ched Myers and Lee Camp, believe mainstream Christianity has moved away from its origins, namely the core teachings and practices of ...
De Kort first created Bible illustrations for the public television station "schulfunk". In 1965 the Dutch Bible Society commissioned him to illustrate a number of biblical stories for people with learning disabilities. This led in 1967 to the series called What the Bible says - a series of small picture books, each containing one Bible story ...
The object of this miracle which Jesus worked solely for Peter and the other disciples was twofold: 1. Like all the other miracles it was meant to increase and confirm the faith of the disciples; 2. it was meant to prepare the disciples, and especially St. Peter, for the apostolic office, which was typified by this miracle.
Some medieval Western depictions, usually of the Meeting at Emmaus, where his disciples do not recognise him at first (Luke.24.13–32), showed Jesus wearing a Jewish hat. [79] The CGI model created in 2001 depicted Jesus' skin color as being darker and more olive-colored than his traditional depictions in Western art.