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The results of conservation treatments often yield a more "stable paint layer and support, more appropriate aesthetic presentation through cleaning, and a more unified paintings through the reintegration of the paint losses. It is not possible to restore a painting to its original form, but with careful preservation, documentation and ...
During the 18th century, new techniques were perfected for the restoration and conservation of ancient works of art, including methods of detaching fresco paintings from walls. Detachment involves separating the layer of paint from its natural backing, generally stone or brick, and can be categorized according to the removal technique used.
A painting's natural aging process, as well as environmental factors, can require intervention by a paintings conservator to restore the work. Reasons for restoration may include water damage, tearing, flaking, and a weakened canvas. The primary goal of a paintings conservator conducting a restoration is to ensure the work is stable.
Often done in preparation for sale, or by a collector upon acquiring a new piece, the main goal of restoration is to "restore" the original appearance or functionality of a piece. There considerable difference between restoring and repairing. Functionality may be achieved by a repair, but restoring an item properly is an art-form.
The restoration team removed the numerous layers of shellac, paint, and oils using "solvent applied with tiny blotters of Japanese paper." [22] Areas that were too damaged or unrecognizable were filled in with light watercolor paints, so as not to detract from the blank areas. [22]
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