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With only three or four strings and a simple diatonic fret pattern, the Appalachian dulcimer is generally regarded as one of the easiest string instruments to learn. The traditional way to play the instrument is to lay it flat on the lap and pluck or strum the strings with the right hand, while fretting with the left.
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
On some older zithers, one may find "half-frets" above the 12th fret, which extend only under the first two or three strings. This results in the lower fretted strings having no pitches (or no chromatic pitches) available above the 12th fret, while the higher fretted strings still have higher chromatic pitches available at these half-frets ...
There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
Berimbau (Brazil); Cimbalom (Hungary, Slovakia, Czech Republic, Romania); Chapman stick (United States) . Chapman Stick; Grand Stick; Bass Stick; Chitarra battente, a ...
Dulcitar, Dulcimer stick, Strumbly, Standard Strumstick US Other sizes exist. General tuning is Root-5th-Octave, but the variations used are endless. Swedish lute (modern) [*] Standard / Common (12 strings / 12 courses): F 1 G 1 A 1 B 1 C 2 D 2 open E 2 A 2 D 3 G 3 B 3 E 4 over fretboard. Open A / Sittra (15 strings / 15 courses): A 1, B 1, C# ...
The fingerboard (also known as a fretboard on fretted instruments) is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument.
Paul Gifford and Karl-Heinz Schickhaus have researched the salterio in 18th century Italy; there are instruments with up to eight strings per course (i.e. 8 strings tuned to the same note and played all together, like a 12-string guitar or the middle and upper notes of a piano), made in places like Venice, Florence, Brescia, Milan, and Triente [citation needed], and signed by ten different makers.