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1917 is a 2019 British war film directed and produced by Sam Mendes, who co-wrote it with Krysty Wilson-Cairns.Partially inspired by stories told to Mendes by his paternal grandfather Alfred about his service during World War I, [7] the film takes place after the German retreat to the Hindenburg Line during Operation Alberich, and follows two British soldiers, Will Schofield (George MacKay ...
Come True is a Canadian science fiction horror film written and directed by Anthony Scott Burns. [5] The film stars Julia Sarah Stone and Landon Liboiron. [6] The film plot follows a teenage runaway who takes part in a sleep study that becomes a nightmarish descent into the depths of her mind and a frightening examination of the power of dreams.
Severance is an American science fiction psychological thriller television series created by Dan Erickson, and executive produced and primarily directed by Ben Stiller.It stars Adam Scott, Zach Cherry, Britt Lower, Tramell Tillman, Jen Tullock, Dichen Lachman, Michael Chernus, John Turturro, Christopher Walken, and Patricia Arquette.
Eraserhead is a 1977 American independent surrealist body horror film [3] written, directed, produced, and edited by David Lynch.Lynch also created its score and sound design, which included pieces by a variety of other musicians.
The Surreal Life is back with an all-new cast.. The reality series places a group of celebrities in a Hollywood Hills mansion for two weeks, and hilarity ensues. The show first premiered on VH1 in ...
VH1 is diving back into the world of sur-reality TV. The network is reviving The Surreal Life, a series that follows a group of celebrities as they cohabitate in a mansion and engage in drama ...
Take a peek behind inside the circus tent at the brilliant actors in Guillermo del Toro's journey to the dark side, Nightmare Alley. The post Meet the Cast of Guillermo del Toro’s NIGHTMARE ...
Assessing the film in his book Nightmare Movies (2011), film critic Kim Newman described it as "Russell turn[ing] his chainsaw at Bram Stoker's worst novel". [26] Peter Walker of The Guardian deemed the film a personal "guilty pleasure" whose "defiant disrespect for plot and taste win me over... Badly shot, clumsily edited and seemingly scored ...