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Boys Don't Cry is a 1999 American biographical film directed by Kimberly Peirce, and co-written by Peirce and Andy Bienen.The film is a dramatization of the real-life story of Brandon Teena (played by Hilary Swank), an American trans man who attempts to find himself and love in Nebraska but falls victim to a brutal hate crime perpetrated by two male acquaintances.
This is an accepted version of this page This is the latest accepted revision, reviewed on 6 February 2025. American murder victim (1972–1993) Brandon Teena Born (1972-12-12) December 12, 1972 Lincoln, Nebraska, U.S. Died December 31, 1993 (1993-12-31) (aged 21) Humboldt, Nebraska, U.S. Cause of death Murder by gunshots and stabbing Other names Billy Brinson Known for Hate crime murder ...
Lana M. Tisdel (born May 28, 1975) [2] is an American woman whose early life and involvement with the December 1993 murders of Brandon Teena, Lisa Lambert, and Phillip DeVine at the hands of John Lotter and Tom Nissen is chronicled in the 1998 documentary The Brandon Teena Story and the 1999 film Boys Don't Cry (which left out DeVine). [3]
“Fighting can also mean aggressive and inappropriate communication … such as yelling, screaming, manipulating, belittling, criticizing, ridiculing or name-calling,” Boddy says.
Kimberly Ane Peirce [2] (born September 8, 1967) is an American filmmaker, best known for her debut feature film, Boys Don't Cry (1999), which won Hilary Swank her first Academy Award for Best Actress. Peirce's second feature, Stop-Loss, was released by Paramount Pictures in 2008. Her third film Carrie was released on October 18, 2013.
"Boys Don't Cry" (The Cure song), 1979, also covered by Nathan Larson for the 1999 film soundtrack "Boys Don't Cry" (Moulin Rouge song), 1987 "Boys Don't Cry", by MC Chris from Eating's Not Cheating, 2004
The love triangle between the 27-year-old actor and her co-stars, who also play tennis players, is depicted from when her character is 18 until into her 30s, so there are teen themes that are ...
Boys Don't Cry grossed over $11 million at the box office in North America. [4] The film was critically acclaimed, particularly for Swank's acting, [5] with reviewer Michael Sragow, calling the film a "critical knockout". [6] Rotten Tomatoes, a review aggregator, surveyed 76 reviews and judged 88% of them to be positive. [7]