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It is a variant of the Man of Sorrows (Imago Pietatis) type of andachtsbilder, but showing a Christ who is clearly dead (in Man of Sorrows images he tends to have his eyes open). Typically the half-length body of the dead Christ sits on a ledge, held up by smaller angels at each side. Christ is naked down to a loin-cloth and his wounds are visible.
The dead body of Christ, seeming unnaturally light, is supported by the Virgin Mary at left and Saint John the Evangelist at right. The hand of Christ is placed in the foreground on a marble slab, on which is Bellini's signature and a phrase taken from the Elegies of Propertius : HAEC FERE QVVM GEMITVS TVRGENTIA LVMINA PROMANT / BELLINI POTERAT ...
Above each figure is his or her name in gold Greek letters, further proof of the painting's origins in Venice. Their extreme expressions of grief are unusual in Bellini's oeuvre and may have been influenced by Donatello 's reliefs for the high altar of the Basilica of Saint Anthony of Padua .
The signature echoes one used by the ancient Greek artists Apelles and Polykleitos. It was the only work he ever signed. Vasari also reports the anecdote that Michelangelo later regretted his outburst of pride and swore never to sign another work of his hands. [12] [13] Fifty years later, Vasari declared the following regarding the Pietà:
Pietas erga parentes (" pietas toward one's parents") was one of the most important aspects of demonstrating virtue. Pius as a cognomen originated as way to mark a person as especially "pious" in this sense: announcing one's personal pietas through official nomenclature seems to have been an innovation of the late Republic, when Quintus Caecilius Metellus Pius claimed it for his efforts to ...
The Pietà, where the dead Christ is supported by his grieving mother, is a common theme of late-medieval religious art, but this is one of the most striking depictions, "perhaps the greatest masterpiece produced in France in the 15th century" (Edward Lucie-Smith). [1]
Ancient Greek literature is literature written in the Ancient Greek language from the earliest texts until the time of the Byzantine Empire. The earliest surviving works of ancient Greek literature, dating back to the early Archaic period , are the two epic poems the Iliad and the Odyssey , set in an idealized archaic past today identified as ...
Pietà or Dead Christ Supported by Angels is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the city museum of Rimini.It is dated to around 1470, making it one of his early mature works, around the same time as another of his Pietà (Brera).