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The cantata ends not with the usual four-part chorale, but with a love duet of the Soul (soprano) and Jesus (bass). It incorporates a chorale, stanza 7 of Nicolai's hymn, ending with the line "Deiner wart ich mit Verlangen" (I wait for Thee with longing), [1] while the bass responds: "I have always loved you, and so I draw you to me. I'm coming ...
Bach structured the cantata in six movements, beginning with a duet, followed by a series of alternating recitatives and arias and concluded by a chorale. [7] Similar to several other cantatas on words by Franck, it is scored for a small ensemble: four vocal soloists (soprano (S), alto (A), tenor (T) and bass (B)), oboe (Ob), two violins (Vl), viola (Va), and basso continuo (Bc) including ...
Jesu, nun sei gepreiset BWV 41 Chorale cantata by J. S. Bach Thomaskirche, Leipzig Occasion New Year's Day Chorale "Jesu, nun sei gepreiset" by Johannes Hermann Performed 1 January 1725 (1725-01-01): Leipzig Movements 6 Vocal SATB choir and solo Instrumental 3 trumpets timpani 3 oboes 2 violins viola violoncello piccolo da spalla continuo Jesu, nun sei gepreiset (Jesus, now be praised), BWV 41 ...
The St Mark Passion (German: Markus-Passion), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731.Though Bach's music is lost, the libretto by Picander is still extant, and from this, the work can to some degree be reconstructed.
The text marks a farewell to love in the world: "Stirb in mir, Welt und alle deine Liebe" (Die in me, world and all your love). [1] The music of the aria, marked "siciliano" as the slow movement of the harpsichord concerto, has been regarded as a "farewell to worldly life", [4] in "a mood of heart-stopping intensity", [3] also as a mystic ...
Liebster Jesu, mein Verlangen (Dearest Jesus, my desire), [1] BWV 32, [a] is a church cantata by Johann Sebastian Bach.He composed the dialogue cantata (Concerto in Dialogo) in Leipzig for the first Sunday after Epiphany and first performed it on 13 January 1726 as part of his third cantata cycle.
Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) [1] is the title of two church cantatas by Johann Sebastian Bach.He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.
The opening sinfonia for solo organ and orchestra derives from the third movement of Bach's keyboard concerto in D minor, BWV 1052. [5]The tenor aria has been compared to movements from both the French Suites and the Fifth English Suite.