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The Duel Scene from 'Twelfth Night' by William Shakespeare, William Powell Frith (1842). In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.
Upstart Crow is a British sitcom based on the life of William Shakespeare written by Ben Elton.The show premiered on 9 May 2016 on BBC Two [1] as part of the commemorations of the 400th anniversary of Shakespeare's death.
The Guinness Book of Records lists 410 feature-length film and TV versions of William Shakespeare ' s plays, making Shakespeare the most filmed author ever in any language. [1] [2] [3] As of November 2023, the Internet Movie Database lists Shakespeare as having writing credit on 1,800 films, including those under production but not yet released ...
The critic Michael Billington wrote in his review of the production: "The more I see Love's Labour's Lost, the more I think it Shakespeare's most beguiling comedy. It both celebrates and satisfies linguistic exuberance, explores the often painful transition from youth to maturity, and reminds us of our common mortality."
The Very Merry Wives of Windsor, Iowa by Alison Carey, adapted the play as a modern political satire, blending new dialogue with Shakespeare's text. Premiered at the Oregon Shakespeare Festival (2012) [22] The Merry Widows of Windsor by Emily C. A. Snyder is a sequel to Shakespeare's text, written in blank verse. It played as a staged reading ...
The Dark Lady of the Sonnets is a 1910 short comedy by George Bernard Shaw in which William Shakespeare, intending to meet the "Dark Lady", accidentally encounters Queen Elizabeth I and attempts to persuade her to create a national theatre. The play was written as part of a campaign to create a "Shakespeare National Theatre" by 1916.
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Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays Henry IV, Part 1 and Part 2, where he is a companion to Prince Hal, the future King Henry V of England.