Search results
Results From The WOW.Com Content Network
"Satin Sheets" went on to become Pruett's biggest hit and career hit, as well as a signature Country tune of the 1970s. The song was revolutionary for Country music at the time, for its open discussion of sex. The song talks of how a housewife is unhappy with her marriage to a man who only gives gifts to his wife instead of giving her real love.
"Tryggare kan ingen vara" (English version: "Children of the Heavenly Father") is a Christian hymn with lyrics by Lina Sandell circa 1850, and published in 1855 Andeliga daggdroppar, where the writer was credited as anonymous. It was recorded by Carola Häggkvist in 1998 on the album Blott en dag. [1]
The song is told through the eyes of a promiscuous young man who has had many sexual experiences, and plays upon the double-meaning of the word "heaven." He first recalls his baptism and how the preacher asked the protagonist (then a young boy), "Do you want to go to Heaven," referring to the religious concept of the afterlife (where good people go after their death).
The song's lyrics refer to the Christian concept of the anticipation of restoration and reward, and reference the motifs found at Revelation 22:1–2 - a crystal clear river with water of life, issuing from the throne of heaven, all presented by an angel of God. It also brings to mind Acts 16:13, where Paul found women gathered by the river ...
"Baptism", also known as "Down with the Old Man (Up with the New)", is a song written by Mickey Cates, depicting a believer's baptism down in an East Tennessee river. In 1999, the song was recorded by Kenny Chesney and Randy Travis on the album Everywhere We Go [ 1 ] and in 2000, Randy Travis recorded it on the album Inspirational Journey . [ 2 ]
"The Summons" is set to the tune of Kelvingrove, a traditional Scottish melody. Its text contains thirteen questions asked by Jesus in the first person. [5] [6] The initial four stanzas with the questions are in Jesus' voice, and the fifth stanza is the singer's response to them. [1]
"Baby Won't You Please Come Home" is a blues song written by Charles Warfield and Clarence Williams in 1919. The song's authorship is disputed; Warfield claims that he was the sole composer of the song. [1] The song has been covered by many musicians and has become a jazz standard.
A musical motif referencing the first line of "Come, Come Ye Saints" is used at the end of official broadcasts and videos released by the Church of Jesus Christ of Latter-day Saints. The hymn also appears in a Protestant hymnal, the United Church of Christ 's New Century Hymnal , with alternate lyrics for the LDS-oriented third verse written by ...