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"Dakota" was the first Stereophonics single to achieve success on alternative rock radio stations in the United States—where it was promoted as "Dakota (You Made Me Feel Like the One)". [7] After its American release on 21 March 2005, [ 8 ] the single steadily gained ground on US alternative rock radio, notably on stations such as WFNX , WBCN ...
"Mr. Writer" is a song by Welsh rock band Stereophonics, taken from their third album, Just Enough Education to Perform (2001). It was released on 19 March 2001, reaching number five on the UK Singles Chart, number seven in Ireland, and number 53 in Sweden, where it was the band's first and only single to chart.
Live from Dakota is the first live album by Welsh rock band Stereophonics.It is a 2-disc compilation featuring 20 tracks spanning the first five of the band's albums and capturing the best of their 2005 world tour.
Stereophonics performing in Hamburg, Germany on 13 September 2007.. This is a comprehensive list of songs recorded by Welsh rock band Stereophonics.This list includes songs from the band's ten studio albums, one compilation album, one live album, B-sides from twenty-three of forty singles [A] plus other featured appearances.
"Local Boy in the Photograph" is the first single by rock band Stereophonics. The song is taken from their debut album, Word Gets Around and was released on 17 March 1997. The song reached number 51 in the UK Singles Chart .
A live version was on the band's first live album, Live from Dakota. Another live version was included on the single "The Bartender and the Thief". The song is also performed on the Live at Cardiff Castle and Live at Morfa Stadium. The video can be found on the Call Us What You Want But Don't Call Us in the Morning DVD.
Just Enough Education to Perform is the third studio album by Welsh rock band Stereophonics.Released on 11 April 2001, the album topped the UK Albums Chart with 140,000 copies sold. and spawned three top-ten singles in the form of "Mr. Writer", "Have a Nice Day", Step on My Old Size Nines" and "Handbags and Gladrags". [8]
You Gotta Go There to Come Back features a blues rock styled sound in the mold of early 1970s rock bands, [2] and also displays influences of garage rock and soul. [8] Kelly Jones described the album, with its "very 70s, Stevie Wonder, rock overdub feel", as the fulfillment of his desire to make an album like his favourite soul music: "I was really into soul music - it's not something I'm ...