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In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut oil (or electric) light. The dalang (shadow artist) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. The narratives of wayang kulit often have to do with the major theme of good vs. evil.
A wayang kulit (leather shadow puppet) performance using kelir (thin fabric) as a border between the puppeteer (dalang) who plays the puppets and the audience. Historically, the performance consisted of shadows cast by an oil lamp onto a cotton screen.
Indonesian Javanese wayang kulit shadow puppet. Wayang refer to a theatrical performance with puppets or human dancers. When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre is known as wayang kulit, are accompanied by a gamelan orchestra in Java ...
Canang Ibu - used in traditional performances such as Wayang Kulit, Mak Yong and Main Puteri. Gabbang - used in traditional performances in Sabah. Gambang Kayu - used in classical Malay music of Malay Gamelan. Gedombak Gedombak Anak - used in traditional performances such as Wayang Kulit; Gedombak Ibu - used in traditional performances such as ...
In this wayang golek show, as with other wayang shows, plays and stories are played by a puppeteer. The difference is the language in the dialogue that is brought is Sundanese. The standard and the wayang golek are also the same as wayang kulit, for example in the Ramayana and Mahabharata stories. But the difference is in the character of the ...
Wayang style is a style of puppetry influenced by the Indonesian wayang kulit, in which human figures and those that are supernatural are depicted as flat and very two-dimensional - hence the name wayang, meaning "shadow" [1]). This style was commonly used in East Java during the Majapahit Empire, which lasted from about 1293 AD to around 1500 AD.
Panakawan (right) accompanied their masters in a traditional wayang wong theater performance in Yogyakarta. September 1923. Panakawan in wayang kulit, from left to right: Bagong, Petruk, Gareng, and Semar. In Javanese wayang, the panakawan (Javanese: ꦥꦤꦏꦮꦤ꧀) [1] or punakawan (ꦥꦸꦤꦏꦮꦤ꧀) [2] are the
Wayang wang was a performance in the style of wayang kulit (the shadow theatre of Central Java) wherein actors and actresses took the puppets' roles. The first written reference to the form is on the stone inscription Wimalarama from East Java dated 930 CE.