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The yarn is stretched from both the sides in opposite directions putting some force with both palms. This process is needed to make the yarn crisper. Motif making: Making of the motifs for 'pallavs' and other part of Baluchari is in itself an intricate process. The design is drawn on a graph paper, it is coloured and punching is done using cards.
Saris are distinguished by their wide contrast borders. Temple borders, checks, stripes and floral (buttas) are traditional designs found on a Kanchipuram saris. [8] The patterns and designs in the kanchipuram saris were inspired with images and scriptures in South Indian temples or natural features like leaves, birds and animals. [10]
These saris are produced in different lengths 6.00 yards, 8.00 yards, and 9.00 yards with solid as well as contrast borders. The main distinction in these saris is its attached temple type Pallav (locally called as TOPE TENI) by inter locking body warp and pallav warp using loop system and inserting weft by three shuttles using two different ...
The stitching on the cloth gives it a slightly wrinkled, wavy effect. Contemporary kantha is applied to a wider range of garments such as sarees, dupatta, shirts for men and women, bedding and other furnishing fabrics, mostly using cotton and silk. Modern Kantha-stitch craft industry involves a very complex multi-staged production model. [6]
Quilt (lep in Bengali): A light quilted covering made from old sarees, dhotis, lungis, and sometimes from sheet cloths. Large spread (Nakshi Kantha in Bengali): An embellished quilt embroidered with traditional motifs and innovative styles. Cover for Quran (ghilaf in Arabic and Bengali): An envelope-shaped bag used to cover the Quran.
The "pallu" (loose end of a saree) part of the saree or the fabric is made in a contrast colour by tying it firmly before subjecting it to a further process of treating in a solution of groundnut oil and alkaline earth. In this process, the fabric dipped in the solution is tamped well by foot several times and kept in a wet state for 2–3 days.
The history of Paithani sarees can be traced back to 2nd century BC in Satvahana Dynasty, at that time the paithani was made with pure gold wire with cotton and silk. The greeko Romans were very fond of this paithani saree 2000 years ago. They use to exchange gold for this luxurious Paithani saree. At that time this paithani was only worn by ...
To make the wearing more easy and comfortable, the market is all set to sell stitched Kasta sari for those who love drape it. [15] Sandhya Kenjale, another Kasta sari seller, says, "I started stitching nineyard saris because I could never drape it properly. For draping a nineyard sari, you should have some guidance for it is a technique to wear it.