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Hanakotoba (花言葉) is the Japanese form of the language of flowers. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words.
Ikebana (生け花, 活け花, ' arranging flowers ' or ' making flowers alive ') is the Japanese art of flower arrangement. [ 1 ] [ 2 ] It is also known as kadō ( 華道 , ' way of flowers ' ) . The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro ...
Hanakotoba, also known as 花言葉 – Japanese form of the language of flowers; List of national flowers – flowers that represent specific geographic areas; Plants in culture – uses of plants by humans; Narcissus in culture – uses of narcissus flowers by humans
In Japanese society, particularly in historical feudal Japan, isagiyosa (潔さ, "purity") is a virtue, translated with "resolute composure" or "manliness". [1] Able to be interpreted as "grace with pride", [ 2 ] isagiyosa is the capability of accepting death with composure and equanimity.
Banmi Shōfū-ryū (晩美生風流) is a school of Ikebana, an ancient Japanese art form that involves arranging flowers for spiritual purposes. [1] Ikebana accompanied Buddhism's arrival in Japan in the 6th century and evolved from a Buddhist ritual.
Although its original meaning is somewhat obscure, one of the Japanese words for garden— niwa —came to mean a place that had been cleansed and purified in anticipation of the arrival of kami, and the Shinto reverence for great rocks, lakes, ancient trees, and other "dignitaries of nature" would exert an enduring influence on Japanese garden ...
Hanami picnics in front of Himeji Castle, 2005 Osaka Castle. Hanami (花見, "flower viewing") is the Japanese traditional custom of enjoying the transient beauty of flowers; flowers (花, hana) in this case almost always refer to those of the cherry (桜, sakura) or, less frequently, plum (梅, ume) trees. [1]
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.