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Balkan folk music is the traditional folk music within Balkan region.In South Slavic languages, it is known as narodna muzika (народна музика) or folk muzika (фолк музика) in Bulgarian, Macedonian, and Serbo-Croatian, and alternatively narodna glazba in standard Croatian, and narodna glasba in Slovene.
Južni Vetar (Serbian Cyrillic: Јужни Ветар, "South Wind") is a Bosnian-Serbian music band famous for recording with many famous folk, pop-folk and turbo-folk singers from Serbia and Bosnia and Herzegovina.
The Ilidža Folk Music Festival (Bosnian: Festival narodne muzike Ilidža; Serbian Cyrillic: Фестивал народне музике Илиџа) is the oldest living and premier folk music festival in the Former Yugoslavia.
The first examples of Macedonian pop music appeared in the mid-20th century and was called "zabavna muzika". The most famous old-generation performers are Zafir Hadzimanov, Verica Risteska, Dragan Mijalkovski and many others. According to style, Macedonian pop music is a Western type of pop music, with influences of folk and oriental music.
Born in Zvornik, she was an excellent gymnast and in competitions won as the best gymnast in the state of Bosnia in Yugoslavia. [2] Afterwards, she went to university in Sarajevo, and finished a degree in law. [3]
The most prominent Croatian tamburitza artists, such as Zlatni Dukati, Kićo Slabinac and Miroslav Škoro have recorded many songs that Bogdan wrote or is known for singing them.
Pajčin won a 1989 competition for amateur singers in Livno and released his first album in 1991. His career began just as Yugoslavia began to break up.Throughout the 1990s, he was known for his strong Serbian nationalism and Serbian nationalist songs during the Yugoslav wars; during the Croatian War of Independence he was dubbed Baja Mali-Knindža (literally meaning "Baja little Kninja" in ...
Turbo-folk is a subgenre of contemporary South Slavic pop music that initially developed in Serbia during the 1990s as a fusion of techno and folk.The term was an invention of the Montenegrin singer Rambo Amadeus, who jokingly described the aggressive, satirical style of music as "turbo folk".