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The film opens with the titular Clutch Powers tunnelling underground in search of a crystal. The process wakes up the Crystal King, a rock monster who chases Clutch to an underground base. Clutch finds the way out, but trapped and discovers a crystal was a baby rock monster, which he realizes is the Crystal King's child.
Uke-Hunt is a ukulele-based cover band fronted by Spike Slawson from Me First and the Gimme Gimmes. Although both this and the Gimmes are cover bands, they have very different approaches. Although both this and the Gimmes are cover bands, they have very different approaches.
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments of Portuguese origin and popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes: soprano, concert ...
As a child, Hill benefited from a ukulele instructional program created by J. Chalmers Doane as shared in Teacher's Guide to Classroom Ukulele, 1977. The British Columbia school used Doane's system to teach music, and as a result, the Langley Ukulele Ensemble came into existence.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The Wellington International Ukulele Orchestra is an ensemble of ukulele players based in Wellington, New Zealand. Apart from a double bass the band is composed entirely of ukuleles. Their repertoire consists mainly of covers of modern popular music and some ukulele and New Zealand standards. Costumes and comic banter are also part of the WIUO ...
Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician and actor. He enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes.
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...