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The Butler-Bowdon Cope, 1330–1350, V&A Museum no. T.36-1955.. The Anglo-Saxon embroidery style combining split stitch and couching with silk and goldwork in gold or silver-gilt thread of the Durham examples flowered from the 12th to the 14th centuries into a style known to contemporaries as Opus Anglicanum or "English work".
Embroidery floss or stranded cotton is a loosely twisted, slightly glossy 6-strand thread, usually of cotton but also manufactured in silk, linen, and rayon. Cotton floss is the standard thread for cross-stitch , and is suitable for most embroidery excluding robust canvas embroidery.
The Leek embroiderers often used the tussar silk floss, often dyed using Thomas Wardle's natural dyes, on woven silk brocade for the church items, and on hand-blocked silk for items meant for the home. [11]: 34 Some of these silks were from Thomas Wardle's silk mills. In addition to the tussar floss, they used gold thread from Japan.
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a ...
Cotton cloth, cotton or silk thread Lambada embroidery: Banjara people: Mountmellick work: Mountmellick, County Laois, Ireland Knotted stitches, padded stitches White cotton cloth and thread Opus anglicanum: England: Split stitch, surface couching, underside couching [24] Linen or velvet cloth, metallic thread, silk thread Opus teutonicum: Holy ...
[13]: 82–3 A study of New England crewel embroidery found that the primary colors, blue, red, and yellow, were the most used. The stitches used most often were outline, seed, and economy, and the designs most frequently used showed plants. [12]: Abstract Crewel embroidery was a pastime primarily in New England.