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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
The trois crayons drawing technique has its roots in the second half of the 15th century in Europe. During this period, artist began drawing with natural red chalk along with limited natural chalks. As drawing techniques evolved, artists combined red chalk with other chalks, including white chalk.
Botanical illustration is the art of depicting the form, color, and details of plant species. They are generally meant to be scientifically descriptive about subjects depicted and are often found printed alongside a botanical description in books, magazines, and other media.
Giulio Campagnola, The Astrologer, c. 1509, with areas such as the dark foreground, the man's bald head, and the tree trunks created by a burin stippling technique. An example of the mastery of coloured stipple engraving by Francesco Bartolozzi (1727–1815) Cupid Binding Aglaia to a Laurel, detail, after Angelica Kauffmann (1741–1807)
Le Moyne's work represents a transition from the medieval focus on the religious symbolism of plants in art to a Renaissance emphasis on scientific inquiry and beauty when creating botanical illustration. [6] The most extravagant and exquisitely wrought of all Le Moyne's floral works are the six miniature-like gouaches from the Korner collection.
The Walt Disney Film Archive includes black-and-white preliminary sketches, full-color concept paintings, and production cels from such classic Disney films
The drawing is related to the painting W27 : Study of the legs of a seated woman: c. 1628: Chalk: 22.6 x 17.6 cm: Rijksmuseum Amsterdam: The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van ...
Flowering trees represented a source of spiritual renewal for Van Gogh; in 1883 he had written of the symbolism of the flowering tree, seeing the evidence of rebirth like the "man who finally produces something poignant as the blossom of a hard, difficult life, is a wonder, like the black hawthorn, or better still the gnarled old apple tree ...