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Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic. Among old-style typefaces, some releases of Caslon, such as Adobe Caslon, and Garamond, including Adobe Garamond Pro and EB Garamond, have swash designs.
Poetica is a calligraphic, ornamental typeface designed by Robert Slimbach for Adobe Systems in 1992. [1] [2] As one of the first of the Adobe Originals family of typefaces including a swash version, [1] [2] [3] it attained a wide usage in digital typography.
Caslon Old Face is a typeface with multiple optical sizes, including 8, 10, 12, 14, 18, 22, 24, 30, 36, 42, 48, 60, 72, 96 points. Each font has small capitals, long esses and swash characters. The 96 point font came in roman only and without small capitals. Caslon Old Face was released in July 2001.
Adobe Originals logo Adobe Garamond, one of the program's first fonts. The Adobe Originals program is a series of digital typefaces created by Adobe Systems from 1989 for professional use, intended to be of extremely high design quality while offering a large feature set across many languages. Many are strongly influenced by research into ...
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
Arno, or Arno Pro, is a serif type family created by Robert Slimbach at Adobe intended for professional use. [3] The name refers to the river that runs through Florence, a centre of the Italian Renaissance. Arno is an old-style serif font, drawing inspiration from a variety of 15th and 16th century typefaces. [4]
Pages in category "Adobe typefaces" The following 25 pages are in this category, out of 25 total. ... Multiple master fonts; Myriad (typeface) P. Poetica (typeface) S.
Comparison between Adobe Garamond and Garamond Premier, both of which are set in the same font sizes (and also the same x-heights in this case). During the production of Adobe Garamond , its designer Robert Slimbach started planning for a second interpretation of Garamond after visiting the Plantin-Moretus Museum in 1988.