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Gibson scholar Tatiani G. Rapatzikou has commented, in Gothic Motifs in the Fiction of William Gibson, on the origin of the notion of cyberspace: Gibson's vision, generated by the monopolising appearance of the terminal image and presented in his creation of the cyberspace matrix, came to him when he saw teenagers playing in video arcades.
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer.
Cyberspace is an interconnected digital environment. It is a type of virtual world popularized with the rise of the Internet. [1] [2] The term entered popular culture from science fiction and the arts but is now used by technology strategists, security professionals, governments, military and industry leaders and entrepreneurs to describe the domain of the global technology environment ...
Neuromancer has many literary progenitors. Detective fiction, like the work of Raymond Chandler, is frequently cited as an influence on Neuromancer. For example, critics note similarities between Gibson's Case and Chandler's Philip Marlowe: Case is described as a "cowboy" and a "detective" and is involved in a heist; [12] Molly, the novel's primary female character, has connections to the ...
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The term was popularized by William Gibson in his short story "Burning Chrome", which also introduced the term cyberspace, and in his subsequent novel Neuromancer. [1] [2] According to the Jargon File, as well as Gibson's own acknowledgements, the term ICE was originally coined by Tom Maddox.
The Sprawl trilogy (also known as the Neuromancer trilogy) is William Gibson's first set of novels, and is composed of Neuromancer (1984), Count Zero (1986), and Mona Lisa Overdrive (1988). [ 1 ] The novels are all set in the same fictional future.
"Burning Chrome" is a science fiction short story by Canadian-American writer William Gibson, first published in Omni in July 1982. Gibson first read the story at a science fiction convention in Denver, Colorado in the autumn of 1981, to an audience of four people, among them Bruce Sterling (who Gibson later said "completely got it"). [1]