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The fugue's four-and-a-half measure subject in G minor is one of Bach's most recognizable tunes. The fugue is in four voices. During the episodes, Bach uses one of Arcangelo Corelli's most famous techniques: imitation between two voices on an eighth note upbeat figure that first leaps up a fourth and then falls back down one step at a time. [2]
The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
Cantiga – Monophonic song of Spanish or Portuguese origin, often about religious themes or courtly love. Conductus – Latin sacred song, monophonic or polyphonic non-liturgical vocal composition. Descant – Form where one singer performed a fixed melody while others improvised harmonious and melodically independent lines.
The first page of J. S. Bach's Toccata and Fugue in D minor, BWV 565. Toccata (from Italian toccare, literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally ...
[6] [7] [8] Quizlet's blog, written mostly by Andrew in the earlier days of the company, claims it had reached 50,000 registered users in 252 days online. [9] In the following two years, Quizlet reached its 1,000,000th registered user. [10] Until 2011, Quizlet shared staff and financial resources with the Collectors Weekly website. [11]
A prelude and fugue is a musical form generally consisting of two movements in the same key for solo keyboard. In classical music , the combination of prelude and fugue is one with a long history. Many composers have written works of this kind.
The Toccata (as a prelude) is proportionally the largest of all Bach's works in the format of prelude-fugue. It is often treated as a show piece, with the ensuing fugue omitted. The Toccata's rhythmic signature suggests a passepied or a musette, although the large scale of the movement does not support these characterizations.
The Art of Fugue; The Well-Tempered Clavier; Subcategories. This category has only the following subcategory. B. Fugues by Johann Sebastian Bach (1 C, 28 P)