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Cajóns are primarily played in Afro-Peruvian music (specifically música criolla), but have made their way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo.
The big boxes were the precursors of the modern tumbadora and the small ones corresponded to the modern quinto (the smallest, lead conga drum). The equivalent of claves were two wooden spoons. Although cajones were mostly replaced by tumbadoras by the early 20th century, they are played in contemporary styles such as guarapachangueo .
Peru Unpitched 111.24 Idiophone Box Drum Cajón de rumba: Cuba Unpitched 111.24 Idiophone Calung: Indonesia Pitched 111.232 Idiophone Carimbo: Africa Unpitched Membranophone Candombe drums: Uruguay Unpitched Membranophone Cannon: Unpitched Pyrophone Used in 1812 Overture: Cantaro: Mexico Carillon: Low Countries: Pitched 111.242.2 Idiophone
The cajón is a box-shaped percussion instrument originating from Peru, primarily played in Afro-Peruvian music, as well as contemporary styles of flamenco and jazz. The Ilu is popular in Pernambuco and Ceará.
The tinya [1] or kirki (Quechua) [1] is a percussion instrument, a small handmade drum of leather which is used in the traditional music of the Andean region, particularly Peru. The drum dates to the pre-Columbian era, [2] and is used in traditional Peruvian dances, notably in Los Danzantes de Levanto where it is played by one person ...
Instrument Picture Classification H-S Number Elementary organology class Origin Common classification Relation Celesta-struck idiophone-metallophone-set of percussion plaques
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Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments.