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"I Thank God" is a song performed by American contemporary worship groups Maverick City Music and Upperroom featuring Dante Bowe and Aaron Moses. It was released by Tribl Records as a track on their collaborative extended play, Move Your Heart, on January 29, 2021. [1]
Stephen Joseph McWhirter (b September 1964) [1] is a Church of Ireland clergyman, the Incumbent at Kilmoremoy: he is also the Archdeacon-designate of Killala and Achonry. [ 2 ] References
When these signs come to pass, nearing the end at last, It will come very fast; trumpets will sound. Verse 3: Troubles will soon be o’er; happy forevermore, When we meet on that shore, free from all care. Rising up in the sky, telling this world goodbye; Homeward we then will fly, glory to share. [3]
Komm, Jesu, komm (Come, Jesus, come), BWV 229, is a motet by Johann Sebastian Bach, with a text by Paul Thymich. It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as were others of his motets but exact dates of composition and ...
"O Come to the Altar" is a song by American worship group Elevation Worship. It was released on February 24, 2017, as the lead single from their fifth live album, Here as in Heaven (2016). [ 1 ] The song was written by Chris Brown, Mack Brock, Steven Furtick , and Wade Joye. [ 2 ]
McWhirter and Macwhirter, MacWhirter (also spelled McWherter and Macwherter, MacWherter) are Anglicisations of the Scottish Gaelic Mac an Chruiteir, meaning "son of the harpist or fiddler". Mawhorter and McWhorter are less common forms of this Scottish name, and are found in North America.
"Kingdom Coming", or "The Year of Jubilo", is an American Civil War-era song written and composed by Henry Clay Work (1832–1884) in 1861. It was published by Root & Cady in 1862 and first advertised in April by the minstrel group Christy's Minstrels.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...